Alessandro Anglani

Director / Visual




Works



#DASVIDANIYA is a show that starts from a terrible news story of 2016, when Denis and Katya, two young lovers of 15 years, barricaded themselves at home for three days, and began their fight against the world through a live streaming social network. Losing the link with reality, where being good or bad doesn't matter and the only thing that's important is playing, offers them the opportunity to know each other, to support each other, to dare.

#Dasvidaniya1

2019 ©Pietro Ballardini

#Dasvidaniya2

2019 ©Pietro Ballardini

#Dasvidaniya3

2019 ©Pietro Ballardini

#Dasvidaniya4

2019 ©Pietro Ballardini

#Dasvidaniya5

2019 ©Pietro Ballardini

#Dasvidaniya6

2019 ©Pietro Ballardini

#Dasvidaniya7

2019 ©Pietro Ballardini

#Dasvidaniya8

2019 ©Pietro Ballardini

#Dasvidaniya9

2019 ©Pietro Ballardini

Videomapping experiment 1

Videomapping experiment 2

Videomapping experiment 3




Eliogabalo - L'Anarchico Incoronato is a show that participated in the competition organized by the 47th Biennale College Theater for directors under30, reaching semi-finals. It deals with the story of the Roman emperor Heliogabalus and the women of his family, who came from Syria to Rome to rule at all costs. The sexual and ethical excesses of the young man, however, end up blowing everything up. It is the first performance developed using the Sephirot method.

Eliogabalo1

2019 ©Ludovica Longo

Eliogabalo2

2019 ©Ludovica Longo

Eliogabalo3

2019 ©Ludovica Longo

Eliogabalo4

2019 ©Ludovica Longo

Eliogabalo5

2019 ©Ludovica Longo

Eliogabalo6

2019 ©Brina Babini


In 2017 I worked in Teresa Pasquini's project, Le mie Amiche Ana e Mia, as Assistant Director and Lights. The show focused on the story of three girls affected by eating disorder grappling with their healthy and sick desires, and the fear of facing them.

Ana e Mia1

2017 ©Riccardo Freda

Ana e Mia2

2017 ©Riccardo Freda

Ana e Mia3

2017 ©Riccardo Freda

Process

This graph shows my typical work process in Visual, how I usually approach and what is my workflow.

1

Step 1

Understanding the context of a performance is fundamental to develop its visual impact. Identifying the range of expenditure allows you to evaluate which hardware you can rely on.

2

Step 2

A careful study of the themes or materials from which the performance starts allows you to have a unitary focus with the director, the set designer or the technicians.

3

Step 3

The style layer of digital images will have to be defined: they will be virtual or real images that will interact with the performance.

4

Step 4

The construction phase of the images takes place through processing with video editing programs such as Adobe After Effects, Premiere, Photoshop, Indesign, Illustrator.

5

Step 5

Through Troika Ranch's ISADORA video mapping software, the media processed will be used on different surfaces and materials, in interaction with the performance itself.

Career

These are my career and education paths in Directing / Visual. You can follow their most important points.

Education

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2019

International Summer Program in Watermill Center, NY

Watermill Center logo

The Watermill Center hosts the International Summer Program, uniting over 80 artists from more than 25 countries for a five-week creative intensive. In 2019 some personalities were Robert Wilson, Philiph Glass, Lucinda Childs, Godfrey Reggio, Jennifer Koh, Penny Arcade, Isabella Rossellini, Eddie Peake, Meg Harper.

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2018 - 2019

From Dramaturgy to the Algorithm. Theater and Complex Systems

Artisti Riuniti logo

The cultural association Artisti Riuniti, in collaboration with SIAE, ATCL, AIV and La Sapienza University, organized this 6-month course with the aim of proposing and developing new interaction models based on Artificial Intelligence techniques, rules of video games and role-playing games applied to dramaturgy.

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2016 - 2017

Alessandra Galante Garrone Theater School

Degree in Acting

Galante Garrone logo

This Higher Education path offered by Galante Garrone School called “Intersections and new languages: Theater, music, circus” wants the interaction of theater, music and circus in the formation of an actor, working with directors and teachers such as Cesar Brie, Vittorio Franceschi, Mario Gonzalez, Walter Pagliaro, Renata Palminiello, Ariadna Gilabert Corominas, Eric Stieffatre.

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2014 - 2016

Alessandra Galante Garrone Theater School

Diploma in Acting

Galante Garrone logo

The education path offered by Galante Garrone School is focused on body techniques that can empower the work of the actor on scene, drawing inspiration from the teachings of Jacques Lecoq. We worked, among others, with Paolo Benedetti, Massimo Marino, André Casaca, Gabriele Tesauri, Valentino Corvino.

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2014

University of Bari "Aldo Moro"

Degree in Computer Science and Digital Communication

Bari University logo

This course offered a technical preparation and an IT qualification that can operate in the design, development and management of IT and multimedia systems, with a focus in the publishing, television, advertising, e-commerce, development of multimedia, mobile and web applications, user-centered interactive systems and computational intelligence.

Career

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2020

Attesa

Director / Visual

Madiel Teatro logo

The monologue "Attesa" wants to explore the relationship between motherhood and childhood, thanks to the acting of Elena Oliva and the images offered by an evocative setting and video projections.

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2019

Eliogabalo - l'anarchico incoronato

Director / Visual

Eliogabalo logo

The story of Heliogabalus, Roman emperor, is of incredible relevance, and still after 1800 years it intrigues or annoys us. Adolescence, sexuality and women in power. It is the first interactive performance created with the Sephirot method.

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2019

#Dasvidaniya

Director / Visual / Actor

#Dasvidaniya logo

The show, born from an idea of ​​Alessandra Nardella and from the text of Luigi de Rosa, wants to retrace the last moments of a story that really happened: D. and K. are two russian kids who decide to barricade themselves in the house and start a war with world out there.

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2017

Uncle Vanja by Roberto Marafante

Assistant director

Uncle Vanja logo

Thanks to the effort of this Marluna Teatro production, in collaboration with Teatro Pubblico Pugliese, Roberto Marafante created an apulian Uncle Vanja, with nine actors from all Apulia.

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2017

Le mie amiche Ana e Mia by Teresa Pasquini

Assistant director / Lights

Ana e Mia logo

The play written by Teresa Pasquini talks about the problem of anorexia connected to the phenomenon of blogs and forums to create communities of people with eating disorders.

Alessandro Anglani

FREELANCER. Digital Services & Performance. Expert in GDR and Gamification, Director, Visual Artist, Actor, Web Programmer, Social Media Manager and Crowdfunding Advisor.
alessandro.anglani92@gmail.com